am John Brim and Pinetop Perkins Chicago Blues Session Vol 12(blue Music. 02 - Take it easy baby. mp37,507 KB. 03 - Let me hold yo. p37,069 KB. 04 - High Heel Sneakers.
am John Brim and Pinetop Perkins Chicago Blues Session Vol 12(blue Music. ch ues-Session-Vol-12(blue Movies. eu John Brim & Pinetop Perkins Chicago Blues Session Vol 12(blues)([email protected]) audio.
Chicago Blues songs and albums by John Brim & Pinetop Perkins, Mp3 Music. Genre: Chicago Blues. Release Date: 2014-05-27. Explicitness: notExplicit. Country: USA. Track Count: 11. ℗ 1990 Wolf Records.
Artist: Various Album: Chicago Blues Session - Vol. 1-80 Genre: Blues Label: Wolf Records Released . 1-80 Genre: Blues Label: Wolf Records Released: 1988-2012 Quality: mp3, 320 kbps Albums . As old Latin proverb says: how many people, so many tastes.
Chicago Blues Session Volume 12. "Please retry".
Название: Chicago Blues Session (Wolf Records) Исполнитель: VA Год . 1998 - John Brim and Pinetop Perkins 01. I'm Gonna Let You Go - John Brim 02. Take It Easy Baby - John Brim, Willie Love 03. Let Me Hold.
Название: Chicago Blues Session (Wolf Records) Исполнитель: VA Год: 1982-2012 Жанр: Blues. Продолжительность: 75:41:14 Формат/Кодек: MP3 Битрейт аудио: 320 Кбит/с. Let Me Hold You - John Brim 04. High Heel Sneakers - John Brim, Pinetop Perkins 05. Driving Wheel - John Brim, Pinetop Perkins, 06. Naptown - John Brim 07.
Complete your John Brim And Pinetop Perkins collection.
вторник, 24 июля 2018 г. John Brim and Pinetop Perkins - Chicago . Brim, who lived in Gary, IN, remained active on the Chicago blues scene until his passing on October 1, 2003 at the age of 81. ~ Bill Dahl. John Brim and Pinetop Perkins - Chicago Blues Session. John Brim may be best-known for writing and cutting the original "Ice Cream Man" that David Lee Roth and Van Halen covered on their first album. That's a pity, for the seriously under-recorded Brim made some exceptionally hard-nosed waxings. Chicago Blues Session, Vol. 12.
Perkins began his blues existence primarily as a guitarist, but a mid-'40s . Perkins accompanied Nighthawk on a 1950 session for the Chess brothers that produced "Jackson Town Gal," but Chicago couldn't hold him at the time
Perkins accompanied Nighthawk on a 1950 session for the Chess brothers that produced "Jackson Town Gal," but Chicago couldn't hold him at the time. Nighthawk disciple Earl Hooker recruited Perkins during the early '50s.
JOHN BRIM and PINETOP PERKINS CHICAGO BLUES SESSION VOLUME 12 Label:Wolf Format:[email protected] John Brim picked up his early guitar licks from the gramophone records of Tampa Red and Big Bill Broonzy, before venturing first to Indianapolis in 1941 and Chicago four years.
JOHN BRIM and PINETOP PERKINS
CHICAGO BLUES SESSION VOLUME 12
John Brim picked up his early guitar licks from the gramophone records of Tampa Red and Big Bill Broonzy, before venturing first to Indianapolis in 1941 and Chicago four years later He met his wife Grace in 1947; fortuitously, she was a capable drummer and harmonica player who played on several of Brim's records. She was also the vocalist on a 1950 single for the Detroit-based Fortune Records, that signaled the beginning of Brim's discography.
Pinetop Perkins was born in Belzoni, Mississippi He began his career as a guitarist, but then injured the tendons in his left arm in a fight with a choirgirl in Helena, Arkansas. Unable to play guitar, Perkins switched to the piano, and also switched from Robert Nighthawk's KFFA radio program to Sonny Boy Williamson's King Biscuit Time.
He continued working with Nighthawk, however, accompanying him on 1950's "Jackson Town Gal".
In the 1950s, Perkins joined Earl Hooker and began touring, stopping to record "Pinetop's Boogie Woogie" (written by Pinetop Smith) at Sam Phillips' studio in Memphis, Tennessee. ("They used to call me Pinetop," he recalled, "because I played that song.") However, Perkins was only 15 years old in 1928, when Smith originally recorded "Pinetop's Boogie Woogie".
Perkins then relocated to Illinois and left music until Hooker convinced him to record again in 1968.
When Otis Spann left the Muddy Waters band in 1969, Perkins was chosen to replace him. He stayed for more than a decade, then left with several other musicians to form The Legendary Blues Band with Willie "Big Eyes" Smith, recording through the late 1970s, 1980s and early 1990s.
Although he appeared as a sideman on countless recordings, Perkins never had an album devoted solely to his artistry, until the release of After Hours on Blind Pig Records in 1988.
01 - I'm Gonna Let You Go
02 - Take It Easy Baby
03 - Let Me Hold You
04 - High Heel Sneakers
05 - Driving Wheel
06 - Naptown
07 - Going Down Slow
08 - Call Me Easy Papa
09 - How Long
10 - You Put the Heart on Me
11 - Movin' Out
Tracks 1,3.6 & 8
John Brim (guitar,vocals)
John Primer (guitar)
Billy Branch (harmonica)
Willie Kent(electric bass)
Tim Taylor (drums)
Recorded: 7 Feb 1979 in Chicago
Tracks 2,4,5 ,7 & 9
Pinetop Perkins (piano,vocals)
Tim Taylor (drums) (except track 4)
Micheal Strasser (drums) (track 4)
Recorded: 9 Feb 1990 in Chicago
John Brim (guitar,vocals)
John Brim Jr (bass)
Recorded: Late 1970’s for B & B Records