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Benjamin Godard - Dante Godard - Dante
  • Godard - Dante, Act IV.mp3 (87.8 MB)
  • Godard - Dante, Act I.mp3 (78.4 MB)
  • Godard - Dante, Act II.mp3 (73.2 MB)
  • Godard - Dante, Act III.mp3 (86.1 MB)
Commentary
  • Godard - Dante, commentary after Act I.mp3 (1.0 MB)
  • Godard - Dante, commentary after Act II.mp3 (722.5 KB)
  • Godard - Dante, commentary after Act III.mp3 (896.3 KB)
  • Godard - Dante, introductory commentary.mp3 (2.3 MB)
  • About this torrent.txt (5.1 KB)
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  • Godard: Dante, Op. 111 - "Tout est fini".

    1 2 3 4 5. Artist songs. Godard: Dante, Op. Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume. La Damnation de Faust, Op.

    Godard: Dante, Op. 111 - "Ah! de tous mes espoirs". Tchaikovsky: Eugene Onegin, Op. 24, TH 5 - "Kuda, kuda, kuda vi udalilis".

    Benjamin Godard скачать mp3 в хорошем качестве, либо слушайте песню, а также рингтоны на звонок и все новые треки. Benjamin Godard, Royal Scotish National Orchestra – Fantaisie Persane O. 52 II. Allegrett. :54. Benjamin Godard – Waltz. Benjamin Godard – Berceuse from jocelyn.

    Benjamin Godard download free and listen online. Benjamin Godard, Royal Scotish National Orchestra Jocelyn: Two Suites from the Opera, Op. 100 - Deuxième Suite: III. Scène du bal (Vivace). Benjamin Godard, Royal Scotish National Orchestra Piano Concerto N. O. 48: IV. Andante maestoso - Moderato. Patrick Gallois, London Festival Orchestra, conductor Ross Pople Benjamin Godard (1849 - 1895) - Jocelyn - Berceuse. 100 - Première Suite: III. Carillon (Act IV). (play)

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    Un autre opéra, le Dante et Béatrice est représenté à l'Opéra-Comique le 13 mai 1890. Benjamin Godard MP3 PLAYER.

    Un autre opéra, le Dante et Béatrice est représenté à l'Opéra-Comique le 13 mai 1890. Il écrit deux autres opéras : la Vivandière dont l'orchestration est terminée par Paul Vidal (création à titre posthume à Paris le 1er avril 1895) et les Guelphes représenté (également à titre posthume) à Rouen le 17 janvier 1902.

    Dante has been added to your Cart. MP3 Music, October 27, 2017.

    Benjamin Godard, Petrus Schneider, Radio Symphony Orquestra Hamburgo - Serenata Florentina Joyas de la. .Benjamin Godard, Clemens Krauss, The Kingsway Symphony Orchestra - Berceuse de Jocelyn Light Orchestral Favourites, 2012 03:16.

    Benjamin Godard, Petrus Schneider, Radio Symphony Orquestra Hamburgo - Serenata Florentina Joyas de la Música, Vol. 17, 1996 04:04. Alexander von Pitamic, Benjamin Godard, Orchester der Stuttgarter Oper, Ricardo Casinelli - Jocelyn Op. 100, Act II: Berceuse Favourite Classical Miniatures, 2016 05:06. Benjamin Godard, Franz Liszt Chamber Orchestra, János Rolla, Miklos Perenyi - Jocelyn, Op. 100: "Berceuse" 100 Must-Have Dinner Classics, 2014 05:53.

    Benjamin Godard - Dante (320kbps .mp3)
    Katie Derham presents today's opera, and it's a rarity: Dante, by the French Romantic composer Benjamin Godard, starring soprano Véronique Gens and conducted by Ulf Schirmer. The score, rich in Mendelssohnian lightness and Schumannesque passion, is matched by a plot which contrasts the public and private sides of Dante Alighieri, and which finds time for a whistle-stop tour of The Divine Comedy itself.
    Benjamin Godard: Dante - opera in 4 acts
    Béatrice ..... Véronique Gens, soprano
    Gemma ..... Rachel Frenkel, mezzo-soprano
    Dante ..... Edgaras Montvidas, tenor
    Bardi ..... Jean-François Lapointe, baritone
    Virgil's shadow ..... Andrew Foster-Williams, bass-baritone
    A schoolboy ..... Diana Axentii, soprano
    Bavarian Radio Chorus
    Munich Radio Orchestra
    Ulf Schirmer, conductor
    Synopsis
    ACT I
    A public square in Florence.
    The city is torn apart by a war between Guelfs and Ghibellines. As the College of the People prepares to appoint a Prior to calm the political tensions, Simeone Bardi reveals to his friend, the poet Dante – who has just returned to the city – that he is soon to marry the woman he has loved in secret: the beautiful Beatrice. At these words, Dante – also in love with the young woman – must restrain his emotions. After the two men have left, Beatrice enters, followed by her confidante Gemma, to whom she confesses her tender feelings for Dante, though she believes she will never see him again. The crowd emerges from the palazzo. It is announced that the College of the People has named Dante supreme leader of the city. Beatrice trembles at the name, while Dante, who now reappears, is on the point of refusing this honour. Then the young woman comes forward and instils confidence in him: ‘To be loved, do your duty!’ This ambiguous declaration worries Bardi, while the people acclaims its hero.
    ACT II
    A room in the Palazzo della Signoria in Florence.
    Bardi thunders forth his rage against Dante. Enter Gemma, who asks him to give up Beatrice’s hand. When he tries to dismiss her, saying that she does not know what jealousy is, she confesses that she too is consumed by unreciprocated love: she has lost her heart to Dante, but he loves Beatrice. After they leave, Beatrice appears; concealed behind a tapestry, she has heard everything. Bardi’s words of hate and Gemma’s avowal of love have convinced her that she must renounce Dante. At this point the young man himself enters. When Beatrice rejects him, he declares his passion once more. Overcome with emotion, she ends up yielding to him. Then a group of Ghibellines and Guelfs appears, followed by Bardi. Charles of Valois has entered Florence and proclaims Dante’s banishment, while Bardi condemns Beatrice to end her days in a convent.
    ACT III
    Mount Posillipo. To the left, a tomb carved into the rock, shaded by oleanders.
    While groups of countryfolk dance to the sound of rustic instruments, an old man points out Virgil’s tomb to a group of schoolboys come from the city. They all adorn it with palm leaves and garlands while singing a hymn to the poet’s glory. As they depart, dusk falls slowly. Dante appears, laboriously climbing the mountain, exhausted and broken-hearted. He makes a final plea to Virgil: that the Roman poet may grant him the inspiration to regain his glory, by dictating the ideal poem to him. Dante hopes thereby to recover Beatrice’s esteem. His eyes close from weariness, and as he falls asleep the tomb slowly opens; Virgil emerges from it, crowned with laurels. In a vision at once sublime and terrible he shows Dante Hell, where the lost souls of Ugolino and of Francesca and Paolo appear, and then Paradise. A final celestial vision reveals Beatrice surrounded by angels: she promises that, if Dante completes his work, the two lovers will be reunited.
    ACT IV
    Scene 1
    The same setting as the previous act.
    Dante is awakened by the songs of shepherds. Intoxicated by his dream, he resolves to find Beatrice. At this point, having been directed to the place by Gemma, Bardi arrives and declares he has repented: jealousy has given way to remorse. He offers to lead Dante to the convent in Naples where Beatrice is cloistered. Dante forgives the man who now wishes to restore his happiness. They leave together.
    Scene 2
    Naples: the garden of a convent.
    Beatrice is seen among the procession of nuns, pale and barely able to walk. She tells Gemma, who has come to see her, that her death seems imminent. But she rallies somewhat when her friend announces that two men have come to visit, for she hopes to see Dante again. He duly appears, followed by Bardi. The two young people exchange ecstatic words of love as in Florence. But suffering has fatally weakened Beatrice’s health, and she suddenly faints. Though Gemma and Dante hasten to her aid, her eyes close for the last time after gazing heavenwards. She dies, repeating the same words Dante heard in his dream. Through his despair, he nevertheless hears the consoling words of Gemma and rises as if illuminated: ‘Yes, I must live on; I must sing for her! God made her mortal; I will make her immortal!’
    - With thanks to the Palazzetto Bru Zane

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