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Claudio Arrau León (Spanish pronunciation: ; February 6, 1903 – June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schub.

Claudio Arrau León (Spanish pronunciation: ; February 6, 1903 – June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and Brahms. He is widely considered one of the greatest pianists of the twentieth century.

Astoundingly beautiful, Claudio Arrau's late Chopin recordings are, along with his late Debussy recordings, the peak of his art. Recorded mostly in the '70s and early '80s, Arrau's Chopin recordings catch him past his prime as a technician - although much of Chopin's solo piano music i. . Recorded mostly in the '70s and early '80s, Arrau's Chopin recordings catch him past his prime as a technician - although much of Chopin's solo piano music is here, the extremely difficult polonaises, the sonatas, and especially the etudes are conspicuous in their absence - but at the height of his powers as a poet.

Brahms-Arrau heritage. Chopin: Barcarolle, Arthur Rubinstein vs. Claudio Arrau vs. Yves Nat vs. Alfred Cortot vs. Dinu Lipatti vs. Benno Moiseiwitsch vs. Walter Gieseking. 2014 сингл Compare 7 Versions. The Masters Of The Roll - Rarities, Vol. 1.

Claudio Arrau Plays Liszt · Schubert & Albéniz. Claudio Arrau Plays The Essentials Chopin & Schumann. Detroit Symphony Orchestra, Karl Kruger, Claudio Arrau. Claudio Arrau, Guido Cantelli, New York Philharmonic Orchestra. Mozart: Piano Sonatas Nos. 12, 14 & 18 and Fantasia in C Minor. Carl Schuricht conducts Beethoven & Mahler. Claudio Arrau: Schumann & Chopin - Recordings 1929 - 1944.

Claudio Arrau - The Compl. has been added to your Cart. The Liszt recordings were previously released in 1996 on a Columbia Masterworks Heritage CD (now rather pricey)

Claudio Arrau - The Compl. Arrau’s foray into the Chopin Preludes is followed by the Liszt E-flat major concerto coupled with the Hungarian Fantasia (1952), which with the exception of two Hungarian Rhapsodies, were the last things he recorded for Columbia. The Liszt concerto was made when Arrau was forty-nine and captures the pianist at his stunning best. The Liszt recordings were previously released in 1996 on a Columbia Masterworks Heritage CD (now rather pricey). Everything else was newly remastered in 24-bit/96 kHz by Andreas K. Meyer.

ARRAU CHOPIN Piano Sonata N. O. 8 (Live recording in Germany) . Allegro maestoso . Scherzo Molto vivace . Largo . Finale.

Claudio Arrau (1903-1991), pianiste chilien. ARRAU CHOPIN Piano Sonata N. 19 November 2018 ·. youtube.

Claudio arrau chopin etudes opus 25 trois nouvelles etudes vinyl lp angel rec.

CLAUDIO ARRAU Complete Nocturnes CHOPIN 1stPress PHILIPS 2LP Box MINT.

9: No. 12, Chopin, 01:24. Carnaval, Op. 9: No. 13, Estrella, 00:32.

Chopin, Vol. 3 : The 27 Etudes - Two Complete Versions - Claudio Arrau, Samson Francois, Frederic Chopin. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве.

FREDERIC CHOPIN (1810-1849)


ARRAU HERITAGE
CLAUDIO ARRAU

::->COVER<-::

::->DATI ALBUM<-::
Autore: Frederic Chopin
Titolo: Arrau Heritage
Genere: Musica Classica
Anno: 1953
Etichetta: Philips
Esecutori: Claudio Arrau
::->TRACKLIST<-::
Disc: 1
01. Preludes for piano, Op. 28, CT. 166-189: No. 1 en ut majeur – in C
02. Preludes for piano, Op. 28, CT. 166-189: No. 2 en la mineur – in A minor
03. Preludes for piano, Op. 28, CT. 166-189: No. 3 en sol majeur – in G
04. Preludes for piano, Op. 28, CT. 166-189: No. 4 en mi mineur – in E minor
05. Preludes for piano, Op. 28, CT. 166-189: No. 5 en ré majeur – in D
06. Preludes for piano, Op. 28, CT. 166-189: No. 6 en si mineur – in B minor
07. Preludes for piano, Op. 28, CT. 166-189: No. 7 en la majeur – in A
08. Preludes for piano, Op. 28, CT. 166-189: No. 8 en fa dièse mineur – in C sharp minor
09. Preludes for piano, Op. 28, CT. 166-189: No. 9 en mi majeur – in E
10. Preludes for piano, Op. 28, CT. 166-189: No. 10 en ut dièse mineur – in C sharp minor
11. Preludes for piano, Op. 28, CT. 166-189: No. 11 en si majeur – in E
12. Preludes for piano, Op. 28, CT. 166-189: No. 12 en sol dièse mineur – in G sharp minor
13. Preludes for piano, Op. 28, CT. 166-189: No. 13 en fa dièse majeur – in F sharp
14. Preludes for piano, Op. 28, CT. 166-189: No. 14 en mi bémol mineur – in E flat minor
15. Preludes for piano, Op. 28, CT. 166-189: No. 15 en ré bémol majeur – in D flat
16. Preludes for piano, Op. 28, CT. 166-189: No. 16 en si bémol mineur – in B flat minor
17. Preludes for piano, Op. 28, CT. 166-189: No. 17 en la bémol majeur – in A flat
18. Preludes for piano, Op. 28, CT. 166-189: No. 18 en fa mineur – in F minor
19. Preludes for piano, Op. 28, CT. 166-189: No. 19 – en mi bémol majeur – in E flat
20. Preludes for piano, Op. 28, CT. 166-189: No. 20 en ut mineur – in C minor
21. Preludes for piano, Op. 28, CT. 166-189: No. 21 en si bémol majeur – in B flat
22. Preludes for piano, Op. 28, CT. 166-189: No. 22 en sol mineur – in G minor
23. Preludes for piano, Op. 28, CT. 166-189: No. 23 en fa majeur – in F
24. Preludes for piano, Op. 28, CT. 166-189: No. 24 en ré mineur – in D minor
25. Impromptu for piano in A flat major, Op. 29, CT. 43
26. Impromptu for piano in F sharp major, Op. 36, CT. 44
27. Impromptu for piano in G flat major, Op. 51, CT. 45
28. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46
29. Rondo à la krakowiak for piano & orchestra in F major, Op. 14, CT. 194
Disc: 2
01. Waltz for piano No. 1 in E flat major, Op. 18, CT. 207
02. Waltz for piano No. 2 in A flat major, Op. 34/1, CT. 208
03. Waltz for piano No. 3 in A minor, Op. 34/2, CT. 209
04. Waltz for piano No. 4 in F major, Op. 34/3, CT. 210
05. Waltz for piano No. 5 in A flat major, Op. 42, CT. 211
06. Waltz for piano No. 6 in D flat major (‘Minute’), Op. 64/1, CT. 212
07. Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213
08. Waltz for piano No. 8 in A flat major, Op. 64/3, CT. 214
09. Waltz for piano No. 9 in A flat major (‘L’adieu’) Op. 69/1, CT. 215
10. Waltz for piano No. 10 in B minor, Op. 69/2, CT. 216
11. Waltz for piano No. 11 in G flat major, Op. 70/1, CT. 217
12. Waltz for piano No. 12 in F minor, Op. 70/2, CT. 218
13. Waltz for piano No. 13 in D flat major, Op. 70/3, CT. 219
14. Waltz for piano in A flat major, KK IVa/13, CT. 221 (B. 21)
15. Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56)
16. Waltz for piano in E flat major (spurious), KK IVa/14 (B. 46)
17. Waltz for piano in E major, KK IVa/12, CT. 220 (B. 44)
18. Waltz for piano in E flat major, KK IVb/10, CT. 223
19. Waltz for piano in E flat major (spurious), KK IVa/14 (B. 46)
20. Prelude for piano No. 25 in C sharp minor, Op. 45, CT. 190
21. Prelude for piano No. 26 in A flat major (‘Presto con leggierezza’), KK IVb/7, CT. 191 (B. 86)
Disc: 3
01. Scherzo for piano No. 1 in B minor, Op. 20, CT. 197
02. Scherzo for piano No. 2 in B flat minor, Op. 31, CT. 198
03. Scherzo for piano No. 3 in C sharp minor, Op. 39, CT. 199
04. Scherzo for piano No. 4 in E major, Op. 54, CT. 200
05. Ballade for piano No. 1 in G minor, Op. 23, CT. 2
06. Ballade for piano No. 2 in F major, Op. 38, CT. 3
07. Ballade for piano No. 3 in A flat major, Op. 47, CT. 4
08. Ballade for piano No. 4 in F minor, Op. 52, CT. 5
Disc: 4
01. Barcarolle for piano in F sharp major, Op. 60, CT. 6
02. Fantasy on Polish Airs for piano & orchestra in A major, Op. 13, CT. 41
03. Nocturne for piano No. 1 in B flat minor, Op. 9/1, CT. 108
04. Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109
05. Nocturne for piano No. 3 in B major, Op. 9/3, CT. 110
06. Nocturne for piano No. 4 in F major, Op. 15/1, CT. 111
07. Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112
08. Nocturne for piano No. 6 in G minor, Op. 15/3, CT. 113
09. Nocturne for piano No. 7 in C sharp minor, Op. 27/1, CT. 114
10. Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115
11. Nocturne for piano No. 9 in B major, Op. 32/1, CT. 116
12. Nocturne for piano No. 10 in A flat major, Op. 32/2, CT. 117
Disc: 5
01. Nocturne for piano No. 11 in G minor, Op. 37/1, CT. 118
02. Nocturne for piano No. 12 in G major, Op. 37/2, CT. 119
03. Nocturne for piano No. 13 in C minor, Op. 48/1, CT. 120
04. Nocturne for piano No. 14 in F sharp minor, Op. 48/2, CT. 121
05. Nocturne for piano No. 15 in F minor, Op. 55/1, CT. 122
06. Nocturne for piano No. 16 in E flat major, Op. 55/2, CT. 123
07. Nocturne for piano No. 17 in B major, Op. 62/1, CT. 124
08. Nocturne for piano No. 18 in E major, Op. 62/2, CT. 125
09. Nocturne for piano No. 19 in E minor, Op. 72/1, CT. 126
10. Nocturne for piano No. 20 in C sharp minor, KK IVa/16, CT. 127 (B. 49)
11. Nocturne for piano in C minor, KK IVb/8, CT. 128 (B. 108)
12. Polonaise-fantasy for piano No. 7 in A flat major, Op. 61, CT. 156
Disc: 6
01. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 1. Allegro maestoso
02. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 2. Romance: Larghetto
03. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 3. Rondo: Vivace
04. Andante spianato and Grande Polonaise for piano & orchestra, Op. 22
05. Variations on ‘La ci darem’ from Mozart’s Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225
Disc: 7
01. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: 1. Maestoso
02. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: 2. Larghetto
03. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: 3. Allegro vivace
04. Fantasy for piano in F minor/A flat major, Op. 49, C. 42
05. Impromptu for piano in A flat major, Op. 29, CT. 43
06. Impromptu for piano in F sharp major, Op. 36, CT. 44
07. Impromptu for piano in G flat major, Op. 51, CT. 45
08. Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46
09. Barcarolle for piano in F sharp major, Op. 60, CT. 6
Disc: 8
01. Scherzo for piano No. 1 in B minor, Op. 20, CT. 197
02. Scherzo for piano No. 2 in B flat minor, Op. 31, CT. 198
03. Scherzo for piano No. 3 in C sharp minor, Op. 39, CT. 199
04. Scherzo for piano No. 4 in E major, Op. 54, CT. 200
05. Ballade for piano No. 1 in G minor, Op. 23, CT. 2
06. Ballade for piano No. 2 in F major, Op. 38, CT. 3
07. Ballade for piano No. 3 in A flat major, Op. 47, CT. 4
08. Ballade for piano No. 4 in F minor, Op. 52, CT. 5
::->BIOGRAFIA DI CLAUDIO ARRAU<-::

Claudio Arrau León (Chillán, 6 febbraio 1903 – Mürzzuschlag, 9 giugno 1991) è stato un pianista cileno allievo del maestro
Martin Krause. È considerato uno dei maggiori interpreti del XX secolo.
Arrau riceve le prime lezioni di pianoforte dalla madre, pianista dilettante, ed esordisce all'età di cinque anni. Grazie a
una borsa di studio concessa eccezionalmente dal parlamento può recarsi in Europa per studiare e perfezionarsi. Dal 1912 è a
Berlino ove frequenta il conservatorio Stern sotto la guida di Martin Krause (a sua volta allievo di Franz Liszt). Negli anni
della formazione ebbe la possibilità di ascoltare numerosi pianisti che vivevano a Berlino in quegli anni: Busoni, Schnabel,
Fischer, Lhevinne, che influenzarono la sua vena artistica, e il coetaneo Vladimir Horowitz, che Arrau vide in un concerto e
dal quale fu profondamente impressionato.
Nel 1927 vince il concorso internazionale di Ginevra e inizia la carriera concertistica. Fino al 1940 accumula un repertorio
di eccezionale vastità comprendente tutta l'opera per tastiera di Bach (eseguita tra il 1935 e il 1936 in una serie di 12
concerti alla Meistersaal di Berlino) e ampie parti delle opere di Ludwig van Beethoven, Schubert, Mozart, Chopin, Schumann,
Brahms, Liszt, ma non escludendo nemmeno Busoni, Balakirev, Čajkovskij, Debussy, Ravel, Albéniz, Granados e Stravinsky.
All'epoca il suo repertorio includeva inoltre una sessantina di concerti per pianoforte e orchestra.
L'Arrau quarantenne decise di concentrare le sue attenzioni di interprete su Beethoven, Schumann, Chopin, Liszt, Brahms.
Spiccano in questa lista le assenze di Mozart, Schubert, Bach (Arrau riteneva che la sua musica per tastiera fosse meglio
resa con gli strumenti per i quali fu composta: clavicembalo e organo). Attivo fino a tarda età, nella seconda metà degli
anni settanta ritornò in modo inatteso su Debussy e più tardi su Mozart (incisione integrale delle sonate) e su Schubert ("il
problema ultimo dell'interpretazione", come soleva dire). Al momento della sua morte stava lavorando a una incisione
integrale dell'opera per tastiera di Bach, cinquantacinque anni dopo la storica integrale di Berlino.
Pianista dotato di totale controllo tecnico dello strumento, tendeva a dissimulare il suo grande virtuosismo adottando spesso
tempi sensibilmente più lenti del normale, per mettere in evidenza la nitidezza del suono e del contenuto musicale.
Meticoloso studioso della partitura, nutrì sempre un profondo rispetto del segno così come era stato scritto dal compositore,
e le sue esecuzioni, analitiche, rispecchiano ciò in maniera esemplare. Ciò è evidente soprattutto nelle sonate di Beethoven.
Di Mozart in tarda età offrì una lettura prettamente dolce, apollinea, teneramente limpida delle sonate. Saggi esemplari del
suo controllo virtuosistico, infallibile eppure misurato, rimangono le sue incisioni dei concerti di Brahms e le sue
incisioni di Liszt, in particolare la Sonata in si minore (notevole sia tecnicamente sia per visione culturale), i 12 studi
trascendentali e alcune fantasie su brani d'opera.
::->DATI TECNICI E NOTE<-::
[color=green]
8 CD IN FORMATO APE+CUE
COVERS E BOOKLET INCLUSI

TNTVILLAGE.SCAMBIOETICO.ORG

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