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» » National Symphonic Winds - Center Stage 1988
Language: English
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Category: Lossless
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  • National Symphonic Winds - Center Stage 1988 - WAV 整轨.cue (0.7 KB)
  • National Symphonic Winds - Center Stage 1988 - WAV 整轨.wav (473.0 MB)
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National Symphonic Winds. Liberty Fanfare was composed for the centennial celebration of the Statue of Liberty in 1986. This fanfare set the stage for one of the most spectacular celebrations in America‘s history.

National Symphonic Winds. Composed in 1943, Commando March represents Barber’s first band work. Written in a quadruple meter, the composition utilizes the constant contrast of dotted and triplet rhythms while the melody is presented four times in different orchestrations.

New from Wilson Audiophile Recordings, "Center Stage", featuring Lowell Graham conducting the National Symphonic Winds. These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, VA. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session. 7, Dynamic Range Meter . 1 log date: 2015-01-19 22:14:26 -. Analyzed: National Symphonic Winds, Center Stage -. DR Peak RMS Duration Track -. DR14 -. 9 dB -2. 3 dB 4:13 01-Olympic Fanfare DR16 -. 8 dB -2. 8 dB 9:42 02-Cowboys DR15 -. 2 dB -2. 9 dB 9:28 03-Selections from Oklahoma DR14 -. 7 dB -2. 2 dB 5:29 04-Selections from Barnum DR15 -. 3 dB -2. 5 dB 8:39.

The musicians in the National Symphonic Winds came from the premier military bands of the United States as well as the Virginia Symphony Orchestra. This was a superb mix of very seasoned and assured professionals as there was no rehearsal for this single, five hour recording session. This factor was a major contributor to the apparent energy and spontaneity that is so well heard in this music.

Chantilly High School Symphonic Winds - 2018 Music for All National Festival (Indianapolis, IN): Chantilly High School . Lowell Graham - Center Stage, 2014. Olympic Fanfare, "Bugler's Dream" 04:12. The Cowboys (arr. J. Curnow) 09:41.

Chantilly High School Symphonic Winds - 2018 Music for All National Festival (Indianapolis, IN): Chantilly High School Symphonic Winds, 2018. Pathfinder of Panama (Arr. F. Byrne) 03:51. Oklahoma! (arr. W. Barker for wind ensemble) 09:20. Barnum (arr. B. Lowden for wind ensemble) 05:29. Mary Poppins (arr. I. Kostal and A. Reed for wind ensemble) 08:38. West Side Story Selection (arr. . Duthoit for wind band) 09:19. All songs from Center Stage.

Mahler - Symphony N. (Walter NBC) 1939 - WAV 整轨 48. MB. 刘若英 - 老歌回忆录 - WAV整轨-beyondlzk 62. 新世纪音乐系列. 新世纪音乐系列《美声殿堂》原抓] 43.

National Symphonic Winds - Center Stage 1988
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These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Virginia. The history of the hall is somewhat parallel to Carnegie Hall in New York; however, the hall is smaller, without much protection from external noise. Because of the wonderful acoustic it provided, the sonic result more than made up for the necessary workarounds by recording when the university was not in session as well as during times of low traffic.
The musicians in the National Symphonic Winds came from the premier military bands of the United States as well as the Virginia Symphony Orchestra. This was a superb mix of very seasoned and assured professionals as there was no rehearsal for this single, five hour recording session. This factor was a major contributor to the apparent energy and spontaneity that is so well heard in this music. The repertoire was chosen to be user friendly, vivid, colorful and impactful which is evident as these recordings have become sought after gems for both superb sound and enjoyment.
The philosophy of the recording process was to be as true to the natural acoustic and performance as possible which meant this was an analogue, direct to two-track, minimal microphone recording with no spotlighting of solo instruments. Simply, these were not “fix it in the mix” recordings. What you hear is what went directly on half-inch tape using what is arguably the finest two track 30 IPS analogue recorder in the world– the Wilson Ultramaster, a highly modified Studer tape deck with custom designed electronics designed by John Curl. To accomplish this difficult, time pressure recording, the recording engineering skills of the renowned Bruce Leek were employed. Ergo, the finest acoustic, the finest musicians, the finest recording engineer and the finest equipment were all in play under the watchful eyes and ears of David and Sheryl Lee Wilson.
Because of the extreme dynamic range of this music, the apparent level is low as this is not a compressed recording. As such, the timbre of the ensemble remains intact as well as the soundstage being completely natural. One can hear the hall because there is no added enhancement to the reverberation. A word of caution when raising the volume please be careful as these are real world dynamics which can be harmful to equipment if one is not careful.
These recordings provide a graphic sense of time, space and naturalness. Please enjoy these significant recordings as they hold a distinctive place in the audio and musical world.
Lowell E. Graham
Conductor and Producer
Produced By: Wilson Audiophile Recordings, LLC
Original Recording Engineer: David A. Wilson
Project Manager: Daryl C. Wilson
Analog to High Definition Digital Transfer: Bruce Brown, Puget Sound Studios
Transfer Editing: Bruce Brown, Puget Sound Studios
https://wilsonaudio.nativedsd.com/albums/center-stage
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SEED PLEASE , LET OTHERS GET IT TOO.
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:)__Abee

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