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» » Beirut - Gallipoli indie-folk FLAC,Tracks 2019
Language: English
Size: 289.1 MB
Votes: 181
Downloaded: 36
Category: Lossless
Format: MP3, FLAC
4.9

File list

(2019) Beirut - Gallipoli [FLAC,Tracks]
  • 03 - Varieties of Exile.flac (35.7 MB)
  • 06 - Gauze für Zah.flac (34.8 MB)
  • 02 - Gallipoli.flac (26.9 MB)
  • 10 - Light in the Atoll.flac (25.9 MB)
  • 05 - I Giardini.flac (24.9 MB)
  • 08 - Landslide.flac (24.7 MB)
  • 11 - We Never Lived Here.flac (23.4 MB)
  • 01 - When I Die.flac (22.1 MB)
  • 09 - Family Curse.flac (21.6 MB)
  • 07 - Corfu.flac (17.1 MB)
  • 04 - On Mainau Island.flac (13.6 MB)
  • 12 - Fin.flac (11.2 MB)
  • cover.jpg (7.3 MB)
  • audiochecker.log (0.8 KB)
  • downloaded from katcr.co.txt (0.0 KB)
  • Icon (0.0 KB)

Gallipoli is the fifth studio album by indie folk band Beirut. It was released on February 1, 2019 by 4AD. The album is named after the Italian town where the title track was written.

Gallipoli is the fifth studio album by indie folk band Beirut. It is supported by the singles "Gallipoli", "Corfu" and "Landslide". The band will tour in support of the album in 2019. Work on the album began in late 2016, with Zach Condon holding recording sessions in various cities, including New York City, Apulia, Italy, and Berlin (where Condon lives)

It is there that one finds Gallipoli, a coastal city that lends its name to this fifth album.

On his 2015 album No No No, the brain behind Beirut beautifully transformed his experience in the Balkan folk/Mexican scene into brilliant high-flying pop tracks. He sculpted a more artisanal sound and renewed himself while keeping the dreamy, magical singularity of his universe that’s dominated by brass and percussion. It is there that one finds Gallipoli, a coastal city that lends its name to this fifth album. Condon has a voice that’s characterised by a wistful lyricism, giving his songs an undeniably melancholic feel.

The indie folk songwriter reunited with No No No producer Gabe Wax, as well as made use of his longtime Farfisa .

The indie folk songwriter reunited with No No No producer Gabe Wax, as well as made use of his longtime Farfisa organ, which fans might recall from his first two Beirut records, 2006’s Gulag Orkestar and the following year’s The Flying Club Cup. (Read: The Top 50 Albums of 2007). Its name is taken from the Italian town where Condon wrote the song. In a press release, he described how it came together: The next day I wrote the song I ended up calling ‘Gallipoli’ entirely in one sitting, pausing only to eat.

2019) Beirut - Gallipoli. Through the years Beirut have played around with a plethora of diverse elements, ranging from indie folk to the Balkan folk tradition. And all the while they are still introducing further strange additions to their works, such as a baroque pop element and electronic modifications. Their latter works, especially No No No, saw them further establish this world music narrative with a certain lo-fi ethic that.

Beirut have announced a new album, titled 'Gallipoli'. Then, he tells fans about the inspiration behind the album’s title track

Beirut have announced a new album, titled 'Gallipoli'. It marks Zach Condon's fifth full-length release as Beirut. Then, he tells fans about the inspiration behind the album’s title track. We stumbled into a medieval-fortressed island town of Gallipoli one night and followed a brass band procession fronted by priests carrying a statue of the town’s saint through the winding narrow streets behind what seemed like the entire town, before returning late to Sudestudio. The next day I wrote the song I ended up calling ‘Gallipoli’ entirely in one sitting, pausing only to eat. You can read the full post here. The full track listing for ‘Gallipolli’ is below.

Indie Pop, Indie Folk, Genres. On Gallipoli, Beirut bridges indie music with traditional world music elements, creating a work of somber beauty. Gallipoli is the most acoustically rich Beirut album to date, with studio buzz and random dissonance deployed as musical texture more than ever before.

03 - Varieties of Exile. 3. 4 MB. 06 - Gauze für Za. lac. 5 MB. 02 - Gallipoli. 2. 9 MB. 10 - Light in the Atoll. 6 MB. 05 - I Giardini. 08 - Landslide.

Eskimo Callboy - Rehab (Bonus Tracks Version) (2019). Beirut - Gallipoli (2019). Leaked Release - February 1, 2019 Genre - Indie Folk, Indie Pop Quality - MP3, 320 kbps CBR, FLAC

Eskimo Callboy - Rehab (Bonus Tracks Version) (2019). Dayshell - Mr. Pain (2019). Kanye West - JESUS IS KING (2019). Started by mR12, January 31. 3 posts in this topic. Leaked Release - February 1, 2019 Genre - Indie Folk, Indie Pop Quality - MP3, 320 kbps CBR, FLAC. Tracklist: 01. When I Die (3:16) 02. Gallipoli (4:06) 03. Varieties of Exile (5:27) 04. On Mainau Island (2:13) 05. Beirut’s Zach Condon came up in the tender landscape of mid-aughts indie rock and has been chilling there ever since. Zach Condon reunites with his old Farfisa on his fifth album, but otherwise he remains cozily ensconced in his twee wheelhouse. Beirut’s Zach Condon came up in the tender landscape of mid-aughts indie rock and has been chilling there ever since

Beirut - Gallipoli

Review:
Beirut, the band led by Zach Condon, is a very interesting project with a distinct tendency of blending indie rock concepts with a world music perspective. Through the years Beirut have played around with a plethora of diverse elements, ranging from indie folk to the Balkan folk tradition. And all the while they are still introducing further strange additions to their works, such as a baroque pop element and electronic modifications. Their latter works, especially No No No, saw them further establish this world music narrative with a certain lo-fi ethic that finely balanced their overall vision.
The band’s new record Gallipoli sees Beirut move further down this path, with the world music influence oozing from the record’s core from the very opening of track, “When I Die”. The feelings that they transmit are simply mesmerizing, taking full advantage of two distinct worlds. On one end there is a minimalistic element, mirrored through the progression, but then there is a big and imposing instrumentation, which makes the textures of Gallipoli that more rich and interesting. The big horns stand proudly in this mix, while the progression takes on a marching band motif, which makes for an astounding result. This monotonous rendition that Beirut follow, even though at first it might appear underwhelming, is actually one of the most potent elements of this work. “Family Curse” is a prime example of that aspect of the band, which sees the repetitive elements evolve to a towering form.
There is a deliberate effort from Beirut to provide again a lo-fi element, which results in the album appearing with a very retro characteristic. It is a consequence of both the production and the choice of instrumentation, and it is something that remains intact even when an alternative element comes along, as is the case with “On Mainau Island”. Even the synthesizer of this track has this beautiful and prominent retro feel to it, and that also rises to the surface on the more flamboyant moments of this work with “Landslide” and the staccato synths that kick off this blissful scenery.
What all these elements are able to awaken is a distinct feeling of melancholia. Even though Beirut has thrived by performing this amazing contradiction through the majority of their discography, in Gallipoli that aspect appears to be that much more prominent. Both The Rip Tide and No No No preserved this underlying sense, but Gallipoli even though it does not travel towards a grim edge, it is able to bring forth a beautiful sadness. It is a very interesting play around the summer vibe that this record radiates with, with the title track carrying that characteristic, similar is the case with “Gauze Fur Zah”, but in the end what is left is a more gloomy tone that provides the album with its central aesthetic.
Even though Beirut did not reinvent their modus operandi with Gallipoli, the record stands as one of their stronger moments, mainly due to Condon’s perspective towards the feeling of this record. It is a work of contradiction, taking all these world music elements and this laid back vibe, and yet it provides an insight into the band’s bittersweet somber core.

Tracklist:
01 - When I Die.flac
02 - Gallipoli.flac
03 - Varieties of Exile.flac
04 - On Mainau Island.flac
05 - I Giardini.flac
06 - Gauze für Zah.flac
07 - Corfu.flac
08 - Landslide.flac
09 - Family Curse.flac
10 - Light in the Atoll.flac
11 - We Never Lived Here.flac
12 - Fin.flac
Summary:
Country: USA
Genre: indie-folk
Media Report:
Source : CD
Format : FLAC
Format/Info : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode : Variable
Bit rate : ~ 745-935 Kbps
Channel(s) : 2 channels
Sampling rate : 44.1 KHz
Bit depth : 16 bits

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