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Torrent info - MP3, 320 kbps. ARTIST: Sarah Bethe Nelson. ALBUM, TITLE: Fast Moving Clouds. Release year, date: 2015. Country: USA. STYLE: Indie Pop, Folk.
Artist: Sarah Bethe Nelson. Album: Fast Moving Clouds. Quality: 320Kbps, Lossless. Tracklist: 01 – Start Somewhere 02 – Impossible Love 03 – Black Telephone 04 – Snake Shake 05 – Paying 06 – Fast Moving Clouds 07 – Soft Eyes 08 – Uneasy 09 – Every Other Sunday 10 – We’re Not Dead. Sarah Bethe Nelson – Weird Glow (2019). Sarah Bethe Nelson – Oh, Evolution (2017). Sarah Bethe Nelson - Start Somewhere Fast Moving Clouds, 2015 03:56. Album: Deathstock II. Release year: 2016. Download Sarah Bethe Nelson - Fast Moving Clouds. Sarah Bethe Nelson - Paying Fast Moving Clouds, 2015 05:44.
Format: MP3, 320 kbps. MP3 is a digital audio format without digital rights management (DRM) technology. Because our MP3s have no DRM, you can play it on any device that supports MP3, even on your iPod! KBPS stands for kilobits per second and the number of KBPS represents the audio quality of the MP3s. Here's the range of quality: 128 kbps good, 192 kbps great, 256 kbps awesome and 320 kbps perfect.
Artist: Sarah Bethe Nelson, Song: Fast Moving Clouds, Duration: 3:14, File type: mp3. №4291939921. Duration: 3:14 File type: mp3. Play online Download. Download Sarah Bethe Nelson – Fast Moving Clouds. Sarah Bethe Nelson Every Other Sunday.
Artist: Sarah Bethe Nelson Title Of Album: Fast Moving Clouds Year Of Release: 2015 Label: Burger Records, BRGR800 Genre: Folk . Download Now from Novafile. Sarah Bethe Nelson – Fast Moving Clouds (2015). Download Now from Uploaded.
Artist: Sarah Bethe Nelson Title Of Album: Fast Moving Clouds Year Of Release: 2015 Label: Burger Records, BRGR800 Genre: Folk, Indie Pop, Singer.
Sarah Bethe Nelson скачать mp3 в хорошем качестве, либо слушайте песню Sarah Bethe Nelson - Impossible Love . Sarah Bethe Nelson – Fast Moving Clouds. Sarah Bethe Nelson – To Be Continued. Sarah Bethe Nelson – Natural Disaster.
Sarah Bethe Nelson скачать mp3 в хорошем качестве, либо слушайте песню Sarah Bethe Nelson - Impossible Love, Sarah Bethe Nelson - Paying, Sarah Bethe Nelson - Every Other Sunday, Sarah Bethe Nelson - Weird Glow, Sarah Bethe Nelson - Evolution, а также рингтоны на звонок и все новые треки. Sarah Bethe Nelson – Uneasy. Sarah Bethe Nelson – Black Telephone. Sarah Bethe Nelson – Black Telephne. Sarah Bethe Nelson – Too Rich.
Band: Sarah Bethe Nelson. Fast Moving Clouds (3:12) 07. Soft Eyes (2:47) 08. com Tracklist: 01. Start Somewhere (3:56) 02. Impossible Love (3:20) 03. Black Telephone (3:43) 04. Snake Shake (2:33) 05. Paying (5:44) 06. Uneasy (3:42) 09.
Release source: CD. Year: 2015.
Sarah Bethe Nelson - Fast Moving Clouds [email protected] Beolab1700
Sarah Bethe Nelson - Fast Moving Clouds
Artist...............: Sarah Bethe Nelson
Album................: Fast Moving Clouds
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: LAME 3.99
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Posted by............: Beolab1700 on 11/03/2015
1. Sarah Bethe Nelson - Paying [05:43]
2. Sarah Bethe Nelson - Impossible Love [03:18]
3. Sarah Bethe Nelson - Every Other Sunday [06:45]
4. Sarah Bethe Nelson - Fast Moving Clouds [03:10]
5. Sarah Bethe Nelson - Start Somewhere [03:55]
6. Sarah Bethe Nelson - Black Telephone [03:42]
7. Sarah Bethe Nelson - Uneasy [03:41]
8. Sarah Bethe Nelson - Soft Eyes [02:46]
9. Sarah Bethe Nelson - We're Not Dead [03:39]
10. Sarah Bethe Nelson - Snake Shake [02:32]
Playing Time.........: 39:16
Total Size...........: 90.93 MB
“Paying”, the centerpiece of Sarah Bethe Nelson’s debut album, concerns a bartender who’s had it with the guy mooching booze off her. “This is the last time I’ll be making your drinks on the house,” she sings as the guitars float around the room like the memory of cigarette smoke. The jukebox is playing nothing but Low and Red House Painters, which suits this barkeep just fine. “You’ll be paying starting right now,” is her ultimatum, but she doesn’t say it out loud. Instead, she sings it like she’s promising herself she’ll be stronger next time. Nelson strikes such a tone of dread and regret, though, that she sounds like she’s been repeating this mantra every night for months already and knows she’ll probably keep repeating it every night for months to come.
The fact that the freeloader sounds so self-absorbed—”Flash me a secret smile while you’re lying right to my face”—reinforces the sense of mundane tragedy and makes you sympathize more strongly with the barkeep. Nelson spent years uncapping beers and mixing drinks around San Francisco, so she’s probably writing and singing from experience. But that doesn’t matter. “Paying” captures the inner voice of her narrator so clearly and compassionately that the song achieves the texture of real life regardless of the backstory. We’ve all made and broken similar promises to ourselves.
No other song on Fast-Moving Clouds is quite so specific in its setting or quite so unsettled in its emotions as “Paying”, and that’s fine. Nelson displays a sharp eye for sympathetic characters (even her romantic antagonists come across as confused rather than manipulative or mean), and she can distill an entire relationship down to a single lyric. “You’ll pull my hair but not hold my hand,” she sings on “Impossible Love”, sounding like Nancy Sinatra fronting a garage rock group. Both naïve and knowing, that taunt only hints at the irony of a couple blessed with sexual chemistry but cursed with romantic incompatibility.
Because Nelson knows the difference between describing emotions and enacting them, it’s tempting to categorize Fast-Moving Clouds as a songwriter’s album. But that seems too limiting. This is, at least in part, a rhythm guitarist’s album, one where the notes compete with the lyrics for your attention. Working with producer Kelley Stoltz as well as a small troupe of Bay Area musicians, Nelson makes those guitars chime and sparkle on songs like the sunny-sad “Uneasy” and the soft-focus jam “Every Other Sunday”. Her primary inspirations seem to be ornate ’60s pop and austere ’90s slowcore; that pairing of florid Beach Boys elements and mopey Bedhead ambience might seem contradictory, but Nelson makes it sound perfectly natural, each bringing out something new in the other.
Neither a revivalist nor a gearhead, she’s not interested in mimicking a scene or fetishizing a guitar tone. Even if a few songs—most notably, “Snake Shake”—sound like rough sketches, Fast-Moving Clouds benefits immensely from its mid-fi, almost homemade sound, which lends weight to her inventive pop flourishes: the mutated go-go guitar vamp of “Impossible Love”, the recorder and mute trumpet that voice her wild desire on “Black Telephone”, the revving motorcycle rhythm of the title track. Nelson deploys these elements expertly, allowing them to lend epic stakes to everyday conflicts, even something as humdrum as serving that drink you told yourself you’d never mix.