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» » The Rise and Fall of Paramount Records Vol 2 2 of 3 [email protected] Beolab1700 Third Man Records 2014
Language: English
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Category: Album
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2
  • Mammy's Lullaby (Bwy 8322, L-1369-1).mp3 (9.4 MB)
  • Playing The Dozen (Pm 12773, 21146-1).mp3 (7.5 MB)
  • Jumping Blues (Pm 12955, L-209-3).mp3 (7.1 MB)
  • Keep A Knockin' An You Can't Get In (Pm 12662, 20378-1).mp3 (6.4 MB)
  • Mean Black Man Blues (Pm 12931, L-172-1).mp3 (6.7 MB)
  • Honey Dripper Blues (Pm 12823, 15561--).mp3 (7.2 MB)
  • Police Dog Blues (Pm 12888, 15463--).mp3 (6.7 MB)
  • Lonesome Swamp Rattlesnake (Pm 13043, L-468-1).mp3 (6.7 MB)
  • Larceny Woman Blues (Pm 12759, 21097-1).mp3 (6.9 MB)
  • Postage Stomp (Pm 12642, 20554-2).mp3 (5.6 MB)
  • Moon Going Down (Pm 13014, L-432-1).mp3 (7.6 MB)
  • Judgment Is Coming Afterwhile (Pm 12638, 20519-3).mp3 (7.1 MB)
  • I'm Pressing On (Pm 12913, 15652--).mp3 (6.6 MB)
  • Ko Ko Mo Blues - Part 2 (Pm 13127, L-1402-2).mp3 (7.2 MB)
  • Pony Blues (Pm 12792, 15216--).mp3 (7.0 MB)
  • Pea Vine Blues (Pm 12877, 15221-A).mp3 (7.1 MB)
  • Lawdy Lawdy Worried Blues (Pm 12828, 15566--).mp3 (7.2 MB)
  • I'm Goin' Home (Pm 12883, 15227--).mp3 (7.2 MB)
  • Jesus Got His Arms Around Me (Pm 13095, L-315-1).mp3 (7.3 MB)
  • Low-Down Mississippi Bottom Man (Pm 12665, 20728-1).mp3 (7.9 MB)
  • Louisiana Bound (Pm 12967, L-252-2).mp3 (7.4 MB)
  • I Was Afraid Of That - Part II (Pm 12882, 15464-A).mp3 (7.6 MB)
  • Isn't A Pain To Me (Pm 13142, L-1545-2).mp3 (8.7 MB)
  • Reuben Oh Reuben (Pm 3237, L-107-1).mp3 (7.0 MB)
  • Pay Me No Mind (Pm 13038, L-242-2).mp3 (7.4 MB)
  • I Shall Not Be Moved (Pm unissued, L-62-1).mp3 (6.3 MB)
  • It Won't Be Long (Pm 12854, 15220--).mp3 (8.0 MB)
  • Hookworm Blues (Pm 12794, 15251-A).mp3 (6.8 MB)
  • Poor Convict Blues (QRS R7081, 473--).mp3 (6.7 MB)
  • No Special Rider Blues (Pm 13006, L-501-1).mp3 (6.8 MB)
  • Hot Dog (Pm 13122, L-1235-1).mp3 (8.7 MB)
  • Perfect Mess Blues (Pm 13071, L-646-1).mp3 (5.8 MB)
  • Lost Love Blues (The Lonesome Ace unissued, 21406-2).mp3 (7.2 MB)
  • Mean Black Cat Blues (Pm 12943, L-41-1).mp3 (6.8 MB)
  • Kentucky Bootlegger (Pm 3113, 20451-2).mp3 (7.0 MB)
  • House Snake Blues (QRS R7052, 320--).mp3 (7.1 MB)
  • Midnight Stomp (QRS R7033, 268-).mp3 (7.2 MB)
  • I've Crossed The Separation Line (Pm 12717, 20943-5).mp3 (6.6 MB)
  • I've Got It All (If That's Any News To You) (Pm 12716, 21062-2).mp3 (7.3 MB)
  • Illinois Blues (Pm 13072, L-749-1).mp3 (7.1 MB)
  • My Lovin' Blues (Pm 12878, 15764-A).mp3 (6.4 MB)
  • Pick Poor Robin Clean (Pm 13074, L-824-1).mp3 (7.5 MB)
  • Papa Charlie And Blind Blake Talk About It - Pt 2 (Pm 12911, L-28--).mp3 (7.6 MB)
  • I Wonder To Myself (Pm 12975, L-228-1).mp3 (7.2 MB)
  • Now Is the Needy Time (Pm 12663, 20573-2).mp3 (5.8 MB)
  • I'm So Glad (Pm 13098, L-759-1).mp3 (6.6 MB)
  • Only The Blues (Pm unissued, 21073-2).mp3 (6.7 MB)
  • Ragtime Crazy (Pm 12648, 20310-3).mp3 (7.1 MB)
  • Moaner Let's Go Down In the Valley (Pm 13009, L-313-3).mp3 (7.0 MB)
  • Jelly Roll Stomp (Gen 6774, 14802-).mp3 (5.8 MB)
  • I'm Leaning on the Lord (Pm 13119, L-1231-3).mp3 (7.4 MB)
  • Ma Chere Tite Fille (Pm 12808, 15343-).mp3 (7.3 MB)
  • Rising River Blues (Pm 12750, 21153-2).mp3 (6.6 MB)
  • My Black Mama - Part II (Pm 13042, L-409-2).mp3 (7.6 MB)
  • Pane In The Glass (Pm 12870, 310-A).mp3 (6.3 MB)
  • Oh Judgment (Pm 12696, 20506-2).mp3 (7.1 MB)
  • I'm Looking For A Woman Who Knows How To Treat Me Right (Pm 12602, 20293-2).mp3 (7.2 MB)
  • Joe Kirby (Pm 13133, L-67-2).mp3 (7.3 MB)
  • Live The Life (Ge 6891, 13843--).mp3 (6.8 MB)
  • I Ain't No Sinner Now (Pm 13094, L-701-1).mp3 (7.2 MB)
  • Ma Mauvaus Fille (Pm 12830, 15345-A).mp3 (7.0 MB)
  • Ice Man Blues (Pm 12904, 15462--).mp3 (7.0 MB)
  • Preachin' The Blues - Part I (Pm 13013, L-410-1).mp3 (7.1 MB)
  • I Heard My Mother Call My Name In Prayer (Pm 12834, 123--).mp3 (6.4 MB)
  • Pay Day Daddy Blues (Pm 12635, 20584-2).mp3 (7.3 MB)
  • I Was Afraid Of That - Part I (Pm 12882, 15285-A).mp3 (7.8 MB)
  • Mama Stayed Out (QRS R7059, 326-A).mp3 (7.6 MB)
  • Mixed Up Rag (Pm 12688, 20824-2).mp3 (6.1 MB)
  • Prayer of Death Part 1 (Pm 12799, 15225--).mp3 (7.2 MB)
  • Midnight Stomp (Pm 12839, 268-A).mp3 (7.4 MB)
  • Pane In The Glass (QRS unissued, 310-).mp3 (6.7 MB)
  • Raggin' The Blues (Pm 12761, 20324-1).mp3 (6.9 MB)
  • No. 29 (Pm 12958, L-184-2).mp3 (7.3 MB)
  • Home Town Skiffle Part I (Pm 12886, 21453-2).mp3 (7.0 MB)
  • Ko Ko Mo Blues - Part 1 (Pm 13127, L-1401-2).mp3 (7.6 MB)
  • Motherless Child Blues (Pm 12977, L-264-2).mp3 (7.8 MB)
  • Jesue Is A Dying Bed Maker (Pm 12986, L-61-1).mp3 (6.7 MB)
  • Long Ways From Home (Pm 12992, L-399-2).mp3 (8.1 MB)
  • Judas And Jesus Walked Together (Pm 12903, 2287-A).mp3 (7.0 MB)
  • Kentucky Stomp (Pm 12661, 20658-2).mp3 (5.6 MB)
  • I Shall Not Be Moved (Pm 12974, 15647--).mp3 (7.3 MB)
  • Long, Deep and Wide (QRS R7004, 151-).mp3 (6.8 MB)
  • Moonshine Blues (Pm 12603, 20234-2).mp3 (6.7 MB)
  • Nobody's Sweetheart (Pm 20616, A20534-2).mp3 (7.1 MB)
  • Honey Bee Blues (Pm 13132, L-1124-2).mp3 (7.8 MB)
  • I Have Crossed The Separating Line (Her 93023, 183-A).mp3 (6.5 MB)
  • Lynchburg Town (Pm 3171, 2912-1).mp3 (7.0 MB)
  • Myrtle Avenue Stomp (QRS R7051, 317-A).mp3 (6.8 MB)
  • Please Baby (Pm 13153, L-1562-2).mp3 (8.3 MB)
  • Lower My Dying Head (QRS R7015, 195-).mp3 (7.1 MB)
  • Jesus Is Getting Us Ready (Pm 3109, 20624-2).mp3 (7.0 MB)
  • I Heard The Voice Of A Pork Chop (Pm 12693, 20866-2).mp3 (7.4 MB)
  • Put Your Mind On It (Pm 12811, 15282--).mp3 (6.3 MB)
  • How Long Buck (Pm 13085, L-761-1).mp3 (6.7 MB)
  • Mississippi Blues (Pm unissued, V6).mp3 (6.6 MB)
  • Jack Of Diamonds Georgia Rub (Pm 13097, L-469-1).mp3 (7.2 MB)
  • Pat-A-Foot Blues (Pm 12746, 21071-2).mp3 (5.7 MB)
  • Moanin' The Blues (Pm 12856, 15455--).mp3 (7.6 MB)
  • I Shall Not Be Moved (Pm 12986, L-62-2).mp3 (7.2 MB)
  • Itching Heel (Pm 12944, L-326-3).mp3 (7.7 MB)
  • Pressin' Up That Shiny Way (Pm 13059, L-702-2).mp3 (7.1 MB)
  • I Ain't Puttin' Out (Pm 12684, 6003-).mp3 (7.7 MB)
  • Lost Love Blues (The Lonesome Ace 2, 21406-3).mp3 (7.2 MB)
  • Love Crazy Blues (Pm 12627, 20468-3).mp3 (6.9 MB)
  • Mobile Stomp (Pm 12980, L-233-1).mp3 (7.3 MB)
  • Papa Charlie And Blind Blake Talk About It - Pt 1 (Pm 12911, L-27--).mp3 (7.6 MB)
  • Old Country Rock (Pm 12761, 20323-1).mp3 (7.1 MB)
  • I'm Gonna Moochy (Pm 13064, L-738-3).mp3 (6.4 MB)
  • I Wish I Had Died In Egyptland Part II (Pm 12829, 15571--).mp3 (6.9 MB)
  • Just Can't Stay Here (Pm 12855, 15649--).mp3 (6.8 MB)
  • I Had To Give Up Gym (Pm 12746, 21070-2).mp3 (7.0 MB)
  • Midnight Blues (Pm 12636, 20312-2).mp3 (6.4 MB)
  • It's Red Hot (Pm 12703, 20908-2).mp3 (7.3 MB)
  • Hot And Ready (Pm 12705, 20928-2).mp3 (6.7 MB)
  • Lady Quit Her Husband Onexpectinly (Pm 12682, 20653-1).mp3 (6.3 MB)
  • Pratt City Blues (Pm 13141, L-1407-2).mp3 (7.7 MB)
  • How You Get That Way (Pm 12812, 2296--).mp3 (6.8 MB)
  • One Way Gal (Pm 12648, 20309-1).mp3 (7.6 MB)
  • Mother's Love (Pm 12744, 21041-1).mp3 (6.8 MB)
  • I've Got a Key To The Kingdom (Pm 12726, 21052-3).mp3 (7.4 MB)
  • Last Kind Words Blues (Pm 12951, L-257-4).mp3 (7.1 MB)
  • Prayer For Sinners (Pm 12691, 20831-1).mp3 (7.1 MB)
  • Jesus Is A Mighty Good Leader (Pm 13108, L-754-1).mp3 (7.0 MB)
  • Is There Harm In Singing The Blues (Pm 12925, L-137-2).mp3 (7.4 MB)
  • I'm Always Thinking Of You (Pm 3221, L-31-3).mp3 (6.5 MB)
  • I Want Jesus To Walk With me (Pm 13113, 191--).mp3 (7.5 MB)
  • Lord Don't Drive Me Away (Pm 12780, 20944-4).mp3 (7.4 MB)
  • Please Don't Talk About Me When I'm Gone (Bwy 1448, 1234-4).mp3 (6.9 MB)
  • People People Blues (Pm 12928, L-154-1).mp3 (6.8 MB)
  • Lonesome Lovesick Blues (QRS R7032, 256-A).mp3 (7.4 MB)
  • It Hurts So Good (Pm 12816, 15446--).mp3 (7.6 MB)
  • Louisiana Glide (Pm 12879, 15767--).mp3 (7.4 MB)
  • Quit Your Meanness (Pm 13082, L-714-2).mp3 (6.4 MB)
  • Old Mill Blues (Pm 12688, 20823-1).mp3 (7.9 MB)
  • Polock Blues (Pm 13130, L-1406-2).mp3 (7.7 MB)
  • Liberty (Pm 3152, 21121-2).mp3 (7.2 MB)
  • Jab Blues (Pm 13141, L-1404-2).mp3 (7.8 MB)
  • Nobody's Lonesome But Me (Pm 20594, 20325-2).mp3 (6.6 MB)
  • Pass The Jug (Gen 6774, 14803-).mp3 (5.8 MB)
  • Oriental Man (Pm 12594, 20286-3).mp3 (6.7 MB)
  • I'm Anchored In Love Divine (Pm 3182, 15553-).mp3 (6.8 MB)
  • Middlin' Blues (Pm 12680, 20596-1).mp3 (6.4 MB)
  • No No Blues (QRS R7082, 464-A).mp3 (6.4 MB)
  • Little Sow Blues (Pm 13044, 15562--).mp3 (7.4 MB)
  • Lonesome Home Blues (Pm 13000, L-230-2).mp3 (7.3 MB)
  • Rock House Gamblers (Pm 3179, 21210-2).mp3 (7.2 MB)
  • Mid the Pyramids (Pm 12716, 21063-1).mp3 (6.4 MB)
  • Let Me Pat That Thing (Pm 12858, 15549--).mp3 (6.5 MB)
  • New York Blues (Pm 12820, 15640-A).mp3 (7.6 MB)
  • Piggly Wiggly Blues (Pm 12770, 21256-1).mp3 (6.5 MB)
  • Oh Lord, Remember Me (QRS R7015, 196-A).mp3 (7.5 MB)
  • Ridin' Horse (Pm 12950, L-249-1).mp3 (8.1 MB)
  • Let God Fight Your Battles (Pm 12652, 20577-2).mp3 (6.7 MB)
  • New St. Louis Blues (Pm 12599, 20270-1).mp3 (6.2 MB)
  • Riding The Blinds (QRS R7078, 466-A).mp3 (6.5 MB)
  • Man Of Constant Sorrow (Pm 3289, L-957-2).mp3 (7.8 MB)
  • My Black Mama - Part I (Pm 13042, L-408-2).mp3 (7.3 MB)
  • Let Jesus Lead You (Pm 12836, 177-A).mp3 (7.5 MB)
  • I Wish I Had Died In Egyptland Part I (Pm 12829, 15570--).mp3 (7.8 MB)
  • It's Tight Like That (QRS R7081, 472--).mp3 (6.8 MB)
  • Righteous Blues (Pm 13035, L-648-1).mp3 (6.2 MB)
  • How Come Mama Blues (Pm 12802, 15213--).mp3 (7.1 MB)
  • Mississippi Jail House Groan (Pm 12629, 20419-2).mp3 (7.9 MB)
  • Prove It On Me Blues (Pm 12668, 20665-2).mp3 (6.3 MB)
  • Richmond Square (Pm 3184, 2910-2).mp3 (7.0 MB)
  • Jesus Healed The Sick Woman (Pm 12699, 20836-1).mp3 (7.4 MB)
  • Honky Tonk Train Blues (Pm 12896, 20246-2).mp3 (7.5 MB)
  • Leaving This Morning (Pm 12902, 20897-1).mp3 (7.4 MB)
  • Moses Go Down To Pharaoland (Pm 13078, L-867-1).mp3 (7.0 MB)
  • Jerking The Load (Pm 12889, 2474-A).mp3 (7.4 MB)
  • I'm Hot Like That (QRS R7088, 469-A).mp3 (7.1 MB)
  • Narrow Face Blues (Pm 12954, L-142-4).mp3 (7.6 MB)
  • Poor Boy Blues (Pm 12722, 21020-4).mp3 (5.6 MB)
  • I Believe I'll Go Back Home (Pm 12979, L-113-1).mp3 (7.1 MB)
  • Ma And Pa Poorhouse Blues (Pm 12718, 20921-4).mp3 (7.2 MB)
  • If You Like Me (Pm 12840, 275--).mp3 (6.8 MB)
  • Old Joe Clark (Pm 577, L-1462-2).mp3 (6.7 MB)
  • Nickel's Worth Of Liver Blues (Pm 12823, 15558-A).mp3 (6.4 MB)
  • Kansas City Dog Walk (Pm 12815, 15262-A).mp3 (6.9 MB)
  • Paul And Silas (Pm 12834, 122-A).mp3 (6.4 MB)
  • Piano Kid Special (Pm 13051, L-679-1).mp3 (6.3 MB)
  • Jog-A-Long Boys (Pm 12607, 20244-2).mp3 (6.2 MB)
  • Must Get Mine In Front (Pm 13023, L-499-2).mp3 (5.7 MB)
  • Old Joe Clark (Pm 3148, 20444-3).mp3 (7.0 MB)
  • Mississippi Boweavil Blues (Pm 12805, 15211--).mp3 (7.3 MB)
  • Queen City Square Dance (Bwy 8239, 21316-1).mp3 (6.8 MB)
  • No Baby Blues (Pm 12670, 20338-1).mp3 (6.5 MB)
  • Molly Man (Pm 12605, 20283-2).mp3 (7.1 MB)
  • In That Morning (Pm 3152, 21123-2).mp3 (7.4 MB)
  • Jig Head Blues (Pm 12708, 21017-4).mp3 (7.6 MB)
  • Old Rub Alcohol Blues (The Lonesome Ace unissued, 21404-2).mp3 (7.5 MB)
  • Hold It Boy Blues (Pm 12747, 21064-2).mp3 (6.6 MB)
  • Oh What A Fool Blues (Pm 13071, L-645-2).mp3 (5.1 MB)
  • Hokum Blues (Pm 12811, 15278-A).mp3 (7.9 MB)
  • New Down Home Blues (QRS R7005, 154-A).mp3 (7.3 MB)
  • Rattlesnake Blues (Pm 12924, L-63-2).mp3 (6.5 MB)
  • I Declare My Mother Ought To Live Right (Ch 50026, L-1245-2).mp3 (7.0 MB)
  • Over To My House (Pm 12977, L-265-1).mp3 (8.1 MB)
  • Hot Lovin' (QRS unissued, 325-).mp3 (7.0 MB)
  • I'll Be Here (Pm 13095, L-318-2).mp3 (7.3 MB)
  • Preachin' The Blues - Part II (Pm 13013, L-411-1).mp3 (6.7 MB)
  • Jim Lee Blues - Part I (Pm 13080, L-57-2).mp3 (7.2 MB)
  • Newport Blues (Pm 12743, 21100-2).mp3 (7.0 MB)
  • Outside Woman Blues (Pm 12927, L-144-3).mp3 (6.8 MB)
  • Oh Oh Lonesome Blues (Pm 12968, L-213-1).mp3 (6.5 MB)
  • M & O Blues (Ch 50023, L-413-2).mp3 (7.2 MB)
  • Nehi Blues (Pm 12927, L-146-2).mp3 (7.5 MB)
  • Oh What Is The Matter Now (Pm 12844, 6112-1).mp3 (7.1 MB)
  • Mean Black Moan (Pm 12953, L-77-1).mp3 (7.6 MB)
  • Miserable (Pm 12725, 21075-3).mp3 (6.9 MB)
  • Lose Your Mind (Pm 12907, 15564--).mp3 (6.8 MB)
  • If You Haven't Any Hay Get On Down The Road (Pm 13066, L-766-1).mp3 (6.8 MB)
  • My Babe Blues (QRS R7050, 316-A).mp3 (6.0 MB)
  • I'm The Lonesome One (Bwy 5097, L-823-2).mp3 (6.9 MB)
  • Magnolia Blues (Pm 12943, L-48-1).mp3 (7.1 MB)
  • Knocking Down Casey Jones (Bwy 8248, 2455--).mp3 (7.4 MB)
  • John The Baptist (Pm 12702, 20290-2).mp3 (7.1 MB)
  • No Woman No Nickel (Pm 13109, L-1120-3).mp3 (8.1 MB)
  • Indian Squaw Blues (Pm 12803, 15156--).mp3 (7.2 MB)
  • Hot Lovin' (QRS R7059, 325-A).mp3 (6.9 MB)
  • Low Down Blues Moan Part II (Pm 13049, L-592-1).mp3 (6.9 MB)
  • Let Me Have It (Pm 12897, 21465-1).mp3 (6.9 MB)
  • Rock My Soul (Pm 12764, 21227-1).mp3 (7.0 MB)
  • Kid Man Blues (Pm 13107, L-171-2).mp3 (6.5 MB)
  • Hot Potatoes (Pm 12673, 20521-3).mp3 (6.8 MB)
  • Ma Rainey's Black Bottom (Pm 12590, 20229-2).mp3 (7.4 MB)
  • I Would If I Could (Pm 12778, 21061-1).mp3 (5.9 MB)
  • Long Gone Lost John (Pm 12602, 20292-1).mp3 (6.4 MB)
  • Little Cow And Calf Is Gonna Die Blues (Pm 13085, L-763-1).mp3 (6.7 MB)
  • Pitchin' Boogie (Pm 12855, 15650--).mp3 (7.1 MB)
  • I Know My Time Ain't Long (Pm 12948, L-320-1).mp3 (7.5 MB)
  • Morning Prayer (Pm unissued, L-231-1).mp3 (7.8 MB)
  • Keep A Knockin' An You Can't Get In (Pm 12662, 20378-2).mp3 (7.3 MB)
  • Je Te Recontrais De Le Brulier (Pm 12908, 15348-).mp3 (6.8 MB)
  • Oriental Man (Pm 12594, 20240-1).mp3 (6.5 MB)
  • It's a Low Down Thing (Pm 12705, 20929-2).mp3 (6.9 MB)
  • Home Town Skiffle Part II (Pm 12886, 21454-3).mp3 (7.7 MB)
  • Oh My Lord Didn't It Rain (Pm 13126, L-1243-2).mp3 (5.9 MB)
  • Lost Lover Blues (Ge 6607, 14160--).mp3 (7.3 MB)
  • Ramblin' Man (Pm 12722, 21019-4).mp3 (7.2 MB)
  • Jim Lee Blues Part II (Pm 13133, L-58-1).mp3 (7.0 MB)
  • It's Your Time Now (Pm 13011, L-294-2).mp3 (7.8 MB)
  • Macon Ga. Breakdown (Bwy 8178, 392--).mp3 (7.4 MB)
  • New Style Of Loving (Pm 12767, 20873-2).mp3 (6.2 MB)
  • Low Down Blues Moan Part I (Pm 13049, L-591-1).mp3 (7.0 MB)
  • My Laona Blues (Pm 12828, 15565--).mp3 (6.3 MB)
  • Jake Liquor Blues (Pm 12941, L-225-3).mp3 (8.1 MB)
  • Lord I'm Discouraged (Pm 12883, 15226--).mp3 (7.2 MB)
  • How Long How Long (Pm 12685, 20788-1).mp3 (6.5 MB)
  • Prayer of Death Part 2 (Pm 12799, 15225-A).mp3 (6.6 MB)
  • Ragtime Millionaire (Pm 12636, 20313-1).mp3 (7.3 MB)
  • In That Pearly White City Above (Pm 13059, L-703-2).mp3 (7.3 MB)
  • Religion is Something Within You (Pm 12744, 21040-1).mp3 (6.4 MB)
  • Old Rub Alcohol Blues (The Lonesome Ace 1, 21404-3).mp3 (7.5 MB)
  • Old Timbrook Blues (Pm 12997, L-292-1).mp3 (7.9 MB)
  • Ninety Nine Blues (Pm 12983, L-145-1).mp3 (6.2 MB)
  • Nobody's Business (How I Love That Man) (QRS R7057, 327-).mp3 (6.5 MB)
  • Lemon's Worried Blues (Pm 12622, 20375-3).mp3 (7.2 MB)
  • Ramblin' Mind Blues (Pm 12616, 20339-2).mp3 (6.6 MB)
  • My Old Girl's My New Girl Now (Bwy 1230, 20950-2).mp3 (6.4 MB)
  • It's a Sin (Pm 12641, 20555-1).mp3 (6.8 MB)
  • Prison Cell Blues (Pm 12622, 20388-2).mp3 (6.5 MB)
  • On The Wall (Pm 13008, L-419-1).mp3 (7.1 MB)
  • Little David Play On Your Harp (Pm 3109, 20623-1).mp3 (6.6 MB)
  • Torrent downloaded from demonoid.ph.txt (0.0 KB)
  • Beolab1700 Torrents.txt (0.3 KB)

The success of Paramount Records, a loss-leader meant to move the music-playing furniture made by the Wisconsin Chair .

The success of Paramount Records, a loss-leader meant to move the music-playing furniture made by the Wisconsin Chair Company as World War I came to a close, was a surprise for the business’ leaders. The shoddily recorded and haphazardly manufactured shellac discs became a rather big boon as the '20s roared. Its six LPs lived in a wooden record book, and the marbled brown vinyl looked as though it had been cut from the cross-section of some grand old oak.

The success of Paramount Records, a loss-leader meant to move the music-playing furniture made by the Wisconsin Chair Company as. .

That's What's The Matter With The Church Today (Pm unissued, 21329-2).

Rock of Ages (Pm 12658, 20568-2). Rolling Log Blues (Pm 12850, 14162-). That's What's The Matter With The Church Today (Pm unissued, 21329-2). That Big Rock Candy Mountain (Bwy 8121, 8369-3).

Информация о торрент-файле The Rise and Fall of Paramount Records Vol 2 (2014) 3 of 3 MP3bps Beolab1700, infohash.

Информация о торрент-файле The Rise and Fall of Paramount Records Vol 2 (2014) 3 of 3 MP3bps Beolab1700, infohash f26b6685a51874c3.

Volume One (1917-1927) chronicled Paramount's improbable rise from a furniture company to jazz-blues juggernaut, launching the recording careers of giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Big Bill Broonzy, and Fats Waller.

Roy Wood Jr Prank Calls MP3 rar. TV Shows.

SCREW MY WIFE PLEASE Reina Leone NEW 26 november 2012 mp4. Peter Gabriel Back To Front Live in Vienna 10 03 2013 24 96 HD FLAC. TXH ABS 090 youhuonided.

The Rise and Fall of Paramount Records Vol 2 [Third Man Records] 2 of 3 [email protected] Beolab1700

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The Rise and Fall of Paramount Records Vol 2 1928-32
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Artist...............: VA
Album................: The Rise and Fall of Paramount Records Vol 2 1928-32
Genre................: Blues, Folk
Source...............: USB
Year.................: 2014
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Mono
Posted by............: Beolab1700 on 18/02/2015
Information..........: Please note the USB contains only the MP3 format. Vinyl rips not included.
Many thanks to the unknown provider of these files, full credit to them.
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Contents
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800 newly-remastered digital tracks, representing 175 artists. See included PDF for full listings.
The Rise and Fall of Paramount Records Vol 2 [Third Man Records] 1 of 3 [email protected] Beolab1700
The first 268 tracks 2xPDF Torrent hash: PVDMICN5QCMBSWCM2L6PWRIMXRQDPPZL
The Rise and Fall of Paramount Records Vol 2 [Third Man Records] 2 of 3 [email protected] Beolab1700
The next 264 tracks Torrent hash: 7XYL47GNFVYC2BHC4TUX7SYD6U5I6EDN
The Rise and Fall of Paramount Records Vol 2 [Third Man Records] 3 of 3 [email protected] Beolab1700
The final 269 tracks Torrent hash: XXYXQVW3MVAMEZTNOPXYFHUT4BR6S5QM
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http://thirdmanstore.com/the-rise-and-fall-of-paramount-records-volume-2
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Money, you might have noticed, is on the mind of many musicians. As music consumption continues to shift toward digital methods of distribution, from illegal downloads that pay the artist nothing to authorized streams that pay very little, some makers are wondering just how they’ll continue to make. If the consumer isn’t willing to foot the bill with a sliver of their own income, how can the product exist?
Though the circumstances have changed in most every respect during the 80 years since the Paramount Records empire crumbled, this core question hasn’t: How do you keep putting music out when you’re no longer pulling money in? The success of Paramount Records, a loss-leader meant to move the music-playing furniture made by the Wisconsin Chair Company as World War I came to a close, was a surprise for the business’ leaders. The shoddily recorded and haphazardly manufactured shellac discs became a rather big boon as the '20s roared. Hired in 1923, J. Mayo Williams, an ambitious talent scout who had headed north from Arkansas, led the pivotal Paramount charge. He assembled and managed a roster of uncontested originals, from Blind Lemon Jefferson and Ma Rainey to Blind Blake and Jelly Roll Morton. But in 1927, Williams left the label following a series of injuries and insults from the company’s white owners and officers. That’s where the first volume of The Rise & Fall of Paramount Records—a massive two-set collaboration between Jack White’s Third Man, John Fahey’s revived Revenant and a fleet of researchers, writers, graphic designers, fabricators, builders, archivists, printers and collectors—closes.
Williams’ departure, though, isn’t the end of Paramount’s rise, even if it might denote the start of the fall. The second volume of The Rise & Fall is instead a catalogue brimming with genius, no matter that the label’s scouts in fields and offices alike didn’t carry the same historical clout as Williams. Charley Patton and Son House, Lottie Kimbrough and Dock Boggs, Geeshie Wiley and Skip James, Thomas Dorsey and Emry Arthur: Those are only some of the names that arrive for this set, which stretches from 1928 until the label’s unceremonious end in the wake of the Great Depression in 1932. That’s when the money ran out for music.
The talent had not stopped shipping into Grafton’s record-pressing plant during that time of widespread financial woe. In fact, the 800 remastered tracks offered in Volume Two document the roots of gospel and swing and the intensification of blues and jazz through the efforts of some of American music’s formative musical minds. You can hear the earliest echoes of bluegrass, which would be born a dozen years after Paramount closed, and antediluvian traces of rock’n’roll, hot on its heels with added electricity.
The funds, however, just weren’t what they used to be. "Despite many of the great talents he helps bring to Grafton, you can’t sell the records if no one has money to buy them," writes Scott Blackwood of the pale, bespectacled and pivotal Paramount recruiter Art Laibly. "Likely, out on the road or riding the rails across the South, Art Laibly’s anxieties about the future would sometimes get the best of him. The Crash. The poor getting poorer. A part of him knowing the days of the Race Records business were numbered." At least they kept it going long enough to firm up the foundation for their rather young country’s recording pedigree.
You can examine that foundation for yourself on Volume Two. You can ponder the existential strangeness of Patton’s still-singular approach to the blues and his divisive belief in both religion and the bottle. (His "Prayer of Death" tunes as Elder J.J. Hadley are essential.) You can sway to the woozy, wobbly string-band fare of the Mississippi Sheiks. You can nod and shake to the delirious a cappella spirituals of the Famous Blue Jay Singers of Birmingham, particularly the delirious and pulsing "Clanka-A-Lanka (Sleep on Mother)". Skip James’ inescapable "Hard Time Killin’ Floor Blues" is here, as are two versions of Dock Boggs’ "Will Sweethearts Know Each Other" and Geeshie Wiley’s continually magnetic and tragic "Last Kind Words Blues". Had the unlikely and uncanny venture of Paramount never thrived, and had these songs never been captured, it’s easy to imagine the next several decades of music taking very different turns.
Not everything here changed the world, of course, and some of Paramount’s hidden gems arrive through its most obscure oddities. Brother Fullbosom’s "A Sermon on a Silver Dollar" is a racially and religiously irreverent faux testimonial to the power of that most almighty ducat. "Wicked Treatin’ Blues", a duet for despondent harmonica and vocals that seem delivered from a deathbed, hypnotizes with sadness. George Hamilton’s "Chimes Blues" offers a delightful piano jaunt. Ollie Hess’ parlor-ready "Mammy’s Lullaby" combines arching, urbane vocals and simply picked guitar—country, meet cosmopolitan. Two of the best and most truly haunting songs in the entire Paramount oeuvre belong to Rube Lacy, a little-known blues moaner who only recorded these two cuts as far as anyone can tell. In its waning days, without Williams in command, Paramount was grasping for anything to sell. Many of these didn’t do that, but thanks be to Paramount for thinking they might—they are wonderful, ponderous relics. The worst that can be said about any of these songs is that they’re simply curious; the best is that they’re landmarks.
The first volume of The Rise & Fall came housed in an impressive chestnut box, lined with green felt and accessorized with metallic emblems. Its six LPs lived in a wooden record book, and the marbled brown vinyl looked as though it had been cut from the cross-section of some grand old oak. An accompanying USB drive—a "Jobber-Luxe", Third Man likes to call it—contained the central trove of songs and graphics in a tarnished brass device that seemed pulled from a steampunk’s wildest pipe dream. Both the design and the text were nominated for Grammys in early December, and deservedly so.
You can expect much the same for Volume Two, which steps into the machine age through an aluminum replication of RCA Victor’s beautiful Special Model K portable record player. When the outside latches are unlocked, sets of rivets on either half unscrew to reveal the contents—on one side, a packet of promotional Paramount reproductions and six alabaster white records that sparkle with holograms when lit; on the other, two dense books that detail what’s known about all the musicians involved on these tracks and Blackwood’s romantic history of the second Paramount era. A second USB drive sits lodged in this volume’s navy blue felt. It’s the Paramount eagle, wings up and cast in bright aluminum. The Streamline Moderne approach intends to pull the music from a past of rural antiquity and toward urban modernity. "The machine was the source of America’s might and standing in the world," Blackwood told Wired in October, "our capacity as an industrial power that connected the vast plains of our country."
Still, it’s hard to see these sets as more than museum pieces, or, at best, fetishist collector items that lock vital research, history, and context away in a private vault with actual latches. Taken together, volumes one and two of The Rise & Fall of Paramount Records are mighty resources for understanding how the near-century of music that has followed first moved. But it’s a shame that such indispensable history remains so relatively unobtainable. Issued in editions of 5,000, these bulky boxes cost $400 each; tellingly, the first volume is still available through Third Man, more than a year after its release.
The price, believe it or not, is worth it. Given the work that went into each package, it’s hard to imagine that White is building his own private railroad with the profits. The treasures in the sets are staggering and sprawling, capable of inducing laughter, heartache, belief, and disbelief. There is bedrock and bedlam alike. But as Blackwood himself writes of a different but not entirely separate era, "You can’t sell the records if no one has money to buy them." It’s hard to believe that most people have an extra mortgage payment sitting around for this history lesson, however great it may be.
And that’s a shame, because this music still moves. Not only do many of these songs maintain a vibrancy and a spirit that function even now, but they’re part of a still-incomplete story. Paramount was infamously terrible at record-keeping and accounting, so researchers like archivist Alex van der Tuuk are still finding facts and chasing myths to build a more complete label history. "Sun to Sun", a steady-swerving Blind Blake tune recorded in November 1931, hadn’t been heard by modern ears until a copy was found in a steamer trunk in Raleigh, North Carolina, by the collector Marshall Wyatt in 2007. And Willie Brown, who contributes some of the best blues guitar to either set, remains something of a ghost, despite his relationships with the more famous House and Patton. "No conclusive evidence has been found to prove that this is indeed the real Willie Brown," van der Tuuk writes of Brown’s believed burial site.
Such mysteries sit close to the core of Pitchfork contributor Amanda Petrusich’s 2014 book, Do Not Sell at Any Price. "There is even a vague fear that rare-record collecting could one day become analogous to fine-art collecting," Petrusich writes early in her book, "the obligation of wealthy aristocrats whose consumption of art is more a statement of status than a function of love or even understanding." It’s unfortunate, then, that in an age of infinite digital replication, where media need not be scarce, these archival releases have intentionally realized those fears by turning this music into artifacts for only those who can afford it. The new Jobber-Luxe contains an application that plays all of these tracks in specific orders or at random. If these boxes ever sell out, let’s hope Third Man considers its money made and puts that player online, so that more listeners can know exactly where they came from.
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The Rise and Fall of Paramount Records Vol1 1 of 3 [Third Man Records] [email protected] Beolab1700
Torrent hash:7E5C450C92E6F961869096D4373B309C73DC1D67
The Rise and Fall of Paramount Records Vol1 2 of 3 [Third Man Records] [email protected] Beolab1700
Torrent hash: 71DC7D1EDC3C457B2FB670B8C6E33ECC805AAABE
The Rise and Fall of Paramount Records Vol1 3 of 3 [Third Man Records] [email protected] Beolab1700
Torrent hash: 90F873D7D5E1258B2B6D87428B7E8F175C451048
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https://www.youtube.com/watch?v=d0w4otJ1uVw

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